My life has looked like a Bugs Bunny cartoon for the last ten months. The one where he digs a hole so deep that he winds up in China – sitting upright, but upside down. A loud gong is heard, then slowly, the image rotates clockwise until Bugs is right side up. My sound cue was what we’d call a crash, but my lap top’s death was silent.
I’d by then made it ten months into my contract without nary a notice of discontent from my computer. Its departure was unexpected, but I couldn’t pretend to miss it. I didn’t miss my blog either. Though every week I’d sit down to write some new report – the honesty thus the joy I’d originally found in doing them had begun to seep away. The first one I’d written as a promise to a friend and a challenge to myself. The following ones were a way to stay in touch and connect with my artistic self. By the time I’d gotten to really enjoy writing them, I’d also decided to expand my financial options by making them a blog. I’d set them up along with a link for recruiting. At first I laughed and thought leave it to me to go away for rest only to figure out how to NOT work just one job. But soon I became aware of my writing in that concerned way, the way that asphyxiates inspiration. A week of restless sleep simmered my thinking that, yet again, I wasn’t good enough as is. So I decided to delete all the notes from my Facebook page and make my blog anonymous just days before my wired end.
Boy am I glad my computer crashed.
I’m not always the most aware person and I’m certainly not known for humility, but I will own my shit once I’m hip to it. What does this have to do with South Korea I ask as I type this. Everything is what taps out.
Like any one I’ve ever known, the people I’ve met here are no more aware or awakened than their most recent win or defeat. They haven’t an answer for pride or cancer; an anecdote for bigotry; a monopoly on innovation; or a plan for world peace. They work hard, they play hard. They are loving, but can be ignorant. They want to consume materials and yet strive to become a Green Nation. They are like Me or You. I imagine they’re either sincere or full of shit given the day and your perspective.
In art school I learned to create and destroy. But as I translated this philosophy from my canvas to my life I forgot one important aspect of the process. A key ingredient I’d say. The build-up. No eraser, no matter how clean and rubbery, is able to raise the imprint left by a pencil’s point nor remove it’s own residue once lifted from a surface. And yet, I’d hoped to disappear, just as I had from my work in L.A. as an actor, artist, business maker, bartender, you name it. I’d traveled to South Korea intending to fall away from sight just long enough to get my head out my ass. Then I figured I’d reappear, fully formed, as if sprung from Zeus’ head. But my name ain’t Athena and from what I’ve read, she’s a myth.
Were I to give a number, I’d say that seven out of the ten businesses in Gangneung have only one employee. The person you meet when you walk in is usually the owner and they probably live there too. It’s not uncommon to sit eating in a popular restaurant and notice a sleeping cot tucked away toward the back. Most businesses, boutiques included, have a television and it’s not there for the customers only. Koreans work hard and they appear to work non-stop. Parents log long hours and their children put in just as many. Ask a school-aged kid if they want a summer job and they look at you crazy. “I have a job Teacher” they answer, “I study.” It is also not unlikely that two days after a storefront closes a new one opens ready for business. The owner, the same person as before. “I never retreated. I just decided to charge ahead from a different direction.” could be the quote hung above most doors.
And so after eleven months I’ve come to admire a place and a people where shops will openly sell, and women will buy with ease, fake Louis Vuittons. Of course I thought these flagrant faux displays were ludicrous. Through my American spy glass, I peered and jeered and pointed a finger of disapproval. But once I removed the lens from my eye I saw that they didn’t care and why should I? The real ones are at least a three hour drive away, cost ten times as much and aside from having hardware that won’t tarnish, are practically identical to the counterfeits. I cared because I’d been busy covering my tracks, erasing my life, hoping to fix some thing in me that was never broken. I’d gotten so lost in living up to some image of myself that I’d been behaving like a fake in my own skin. So quick was I to destroy whatever I created, I’d missed the build. The experiences that give a spirit its texture just like layers on a canvas give a piece its depth. Now, whenever I see a woman purchase her Louis from the corner boutique shoe repair shop and watch as she swings the new bag over her shoulder, I think “Go ‘head girl.” If there’s no shame, no one can call out your game.
